{"id":5752,"date":"2024-10-31T13:30:22","date_gmt":"2024-10-31T12:30:22","guid":{"rendered":"https:\/\/www.fondazionezani.com\/?p=5752"},"modified":"2024-11-19T14:04:43","modified_gmt":"2024-11-19T13:04:43","slug":"international-festival-of-ancient-music-the-baroque-weeks-of-brescia","status":"publish","type":"post","link":"https:\/\/www.fondazionezani.com\/en\/international-festival-of-ancient-music-the-baroque-weeks-of-brescia\/","title":{"rendered":"International Festival of Ancient Music | \u201cThe Baroque Weeks of Brescia\u201d"},"content":{"rendered":"<p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwid5p_pzriJAxWIhP0HHX2HIz8Q3ewLegQIDBAU\" aria-label=\"Testo tradotto: The Paolo and Carolina Zani Foundation hosts &quot;Settimane Barocche&quot;, the international festival of ancient music! Every year the event includes a rich program of concerts in evocative and prestigious places, where musicians who represent the greatest Italian and international musical expression are involved. Friday 1 November 2024 LUCK ENIGMA THE MUSIC SOURCE MICHELE PASOTTI lute and direction\"><span class=\"Y2IQFc\" lang=\"en\">The Paolo and Carolina Zani Foundation hosts <em>&#8220;Settimane Barocche&#8221;<\/em>, the international festival of ancient music! <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: center;\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwid5p_pzriJAxWIhP0HHX2HIz8Q3ewLegQIDBAU\" aria-label=\"Testo tradotto: The Paolo and Carolina Zani Foundation hosts &quot;Settimane Barocche&quot;, the international festival of ancient music! Every year the event includes a rich program of concerts in evocative and prestigious places, where musicians who represent the greatest Italian and international musical expression are involved. Friday 1 November 2024 LUCK ENIGMA THE MUSIC SOURCE MICHELE PASOTTI lute and direction\"><span class=\"Y2IQFc\" lang=\"en\">Every year the event includes a rich program of concerts in evocative and prestigious places, where musicians who represent the greatest Italian and international musical expression are involved. <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: center;\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwid5p_pzriJAxWIhP0HHX2HIz8Q3ewLegQIDBAU\" aria-label=\"Testo tradotto: The Paolo and Carolina Zani Foundation hosts &quot;Settimane Barocche&quot;, the international festival of ancient music! Every year the event includes a rich program of concerts in evocative and prestigious places, where musicians who represent the greatest Italian and international musical expression are involved. Friday 1 November 2024 LUCK ENIGMA THE MUSIC SOURCE MICHELE PASOTTI lute and direction\"><strong><span class=\"Y2IQFc\" lang=\"en\">Friday 1 November 2024 <\/span><\/strong><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: center;\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwid5p_pzriJAxWIhP0HHX2HIz8Q3ewLegQIDBAU\" aria-label=\"Testo tradotto: The Paolo and Carolina Zani Foundation hosts &quot;Settimane Barocche&quot;, the international festival of ancient music! Every year the event includes a rich program of concerts in evocative and prestigious places, where musicians who represent the greatest Italian and international musical expression are involved. Friday 1 November 2024 LUCK ENIGMA THE MUSIC SOURCE MICHELE PASOTTI lute and direction\"><span class=\"Y2IQFc\" lang=\"en\"> LUCK ENIGMA <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: center;\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwid5p_pzriJAxWIhP0HHX2HIz8Q3ewLegQIDBAU\" aria-label=\"Testo tradotto: The Paolo and Carolina Zani Foundation hosts &quot;Settimane Barocche&quot;, the international festival of ancient music! Every year the event includes a rich program of concerts in evocative and prestigious places, where musicians who represent the greatest Italian and international musical expression are involved. Friday 1 November 2024 LUCK ENIGMA THE MUSIC SOURCE MICHELE PASOTTI lute and direction\"><span class=\"Y2IQFc\" lang=\"en\">THE MUSIC SOURCE <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: center;\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwid5p_pzriJAxWIhP0HHX2HIz8Q3ewLegQIDBAU\" aria-label=\"Testo tradotto: The Paolo and Carolina Zani Foundation hosts &quot;Settimane Barocche&quot;, the international festival of ancient music! Every year the event includes a rich program of concerts in evocative and prestigious places, where musicians who represent the greatest Italian and international musical expression are involved. Friday 1 November 2024 LUCK ENIGMA THE MUSIC SOURCE MICHELE PASOTTI lute and direction\"><span class=\"Y2IQFc\" lang=\"en\">MICHELE PASOTTI lute and direction<\/span><\/p>\n<p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwid5p_pzriJAxWIhP0HHX2HIz8Q3ewLegQIDBAU\" aria-label=\"Testo tradotto: La Fonte Musica is an ensemble founded and directed by Michele Pasotti, born to interpret the extraordinary musical season of transition between the medieval and humanistic ages, with particular attention to the Italian fourteenth century. At the center of the idea of \u200b\u200binterpretation of La Fonte Musica is the &quot;return to the sources&quot; (hence its name), to the roots of polyphony, to the meaning of lyrical texts and compositional choices, a careful deciphering of rhetoric and grammar musical to understand and translate with an experimental attitude for us, today, the creativity, refinement and beauty of ancient music. The ensemble has been a guest of the most important European early music festivals: Oude Muziek (Utrecht), Resonanzen (Konzerthaus, Vienna), Bruges MA Festival, Ravenna Festival, Innsbrucker Festwochen Alter Musik, Regensburg Tage Alte Musik, Laus Polyphoniae Antwerpen, Wratislavia Cantans (Wroclaw), Herne Tage Alter Musik, Concerts Medieval du Mus\u00e9e de Cluny (Paris), Musica Sacra Maastricht, Urbino Musica Antica, Teatro la Fenice (Venice), MiTo Settembre Musica (Milan-Turin), Festival P\u00f3voa de Varzim, Festival de Lanvellec, Trigonale (Klagenfurt), Vespers in San Maurizio (Milan), Le festival Voix et Route Romane, Brighton Early Music Festival.\"><span class=\"Y2IQFc\" lang=\"en\"><em>La Fonte Musica<\/em> is an ensemble founded and directed by Michele Pasotti, born to interpret the extraordinary musical season of transition between the medieval and humanistic ages, with particular attention to the Italian fourteenth century. <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwid5p_pzriJAxWIhP0HHX2HIz8Q3ewLegQIDBAU\" aria-label=\"Testo tradotto: La Fonte Musica is an ensemble founded and directed by Michele Pasotti, born to interpret the extraordinary musical season of transition between the medieval and humanistic ages, with particular attention to the Italian fourteenth century. At the center of the idea of \u200b\u200binterpretation of La Fonte Musica is the &quot;return to the sources&quot; (hence its name), to the roots of polyphony, to the meaning of lyrical texts and compositional choices, a careful deciphering of rhetoric and grammar musical to understand and translate with an experimental attitude for us, today, the creativity, refinement and beauty of ancient music. The ensemble has been a guest of the most important European early music festivals: Oude Muziek (Utrecht), Resonanzen (Konzerthaus, Vienna), Bruges MA Festival, Ravenna Festival, Innsbrucker Festwochen Alter Musik, Regensburg Tage Alte Musik, Laus Polyphoniae Antwerpen, Wratislavia Cantans (Wroclaw), Herne Tage Alter Musik, Concerts Medieval du Mus\u00e9e de Cluny (Paris), Musica Sacra Maastricht, Urbino Musica Antica, Teatro la Fenice (Venice), MiTo Settembre Musica (Milan-Turin), Festival P\u00f3voa de Varzim, Festival de Lanvellec, Trigonale (Klagenfurt), Vespers in San Maurizio (Milan), Le festival Voix et Route Romane, Brighton Early Music Festival.\"><span class=\"Y2IQFc\" lang=\"en\">At the center of the idea of \u200b\u200binterpretation of <em>La Fonte Musica<\/em> is the &#8220;return to the sources&#8221; (hence its name), to the roots of polyphony, to the meaning of lyrical texts and compositional choices, a careful deciphering of rhetoric and grammar musical to understand and translate with an experimental attitude for us, today, the creativity, refinement and beauty of ancient music. <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwid5p_pzriJAxWIhP0HHX2HIz8Q3ewLegQIDBAU\" aria-label=\"Testo tradotto: La Fonte Musica is an ensemble founded and directed by Michele Pasotti, born to interpret the extraordinary musical season of transition between the medieval and humanistic ages, with particular attention to the Italian fourteenth century. At the center of the idea of \u200b\u200binterpretation of La Fonte Musica is the &quot;return to the sources&quot; (hence its name), to the roots of polyphony, to the meaning of lyrical texts and compositional choices, a careful deciphering of rhetoric and grammar musical to understand and translate with an experimental attitude for us, today, the creativity, refinement and beauty of ancient music. The ensemble has been a guest of the most important European early music festivals: Oude Muziek (Utrecht), Resonanzen (Konzerthaus, Vienna), Bruges MA Festival, Ravenna Festival, Innsbrucker Festwochen Alter Musik, Regensburg Tage Alte Musik, Laus Polyphoniae Antwerpen, Wratislavia Cantans (Wroclaw), Herne Tage Alter Musik, Concerts Medieval du Mus\u00e9e de Cluny (Paris), Musica Sacra Maastricht, Urbino Musica Antica, Teatro la Fenice (Venice), MiTo Settembre Musica (Milan-Turin), Festival P\u00f3voa de Varzim, Festival de Lanvellec, Trigonale (Klagenfurt), Vespers in San Maurizio (Milan), Le festival Voix et Route Romane, Brighton Early Music Festival.\"><span class=\"Y2IQFc\" lang=\"en\">The ensemble has been a guest of the most important European early music festivals: Oude Muziek (Utrecht), Resonanzen (Konzerthaus, Vienna), Bruges MA Festival, Ravenna Festival, Innsbrucker Festwochen Alter Musik, Regensburg Tage Alte Musik, Laus Polyphoniae Antwerpen, Wratislavia Cantans (Wroclaw), Herne Tage Alter Musik, Concerts Medieval du Mus\u00e9e de Cluny (Paris), Musica Sacra Maastricht, Urbino Musica Antica, Teatro la Fenice (Venice), MiTo Settembre Musica (Milan-Turin), Festival P\u00f3voa de Varzim, Festival de Lanvellec, Trigonale (Klagenfurt), Vespers in San Maurizio (Milan), Le festival Voix et Route Romane, Brighton Early Music Festival.<\/span><\/p>\n<p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwid5p_pzriJAxWIhP0HHX2HIz8Q3ewLegQIDBAU\" aria-label=\"Testo tradotto: Enigma Luck Antonio Zacara da Teramo (ca. 1360\/1416?) is certainly among the most important Italian composers between the Middle Ages and the Renaissance. His music presents the widest possible variety of styles, registers and forms. He was also one of the most prolific, talented, and widely disseminated and copied composers of his time. And perhaps the one that had the greatest influence on the following generation, an authentic bridge between the Middle Ages and the Renaissance. Enigma Fortuna is an invitation to discover the great vitality and eccentricity of his music, in which enigmas and oracles are intertwined, obsessive variations on the theme of fortune, proverbs, popular mottos, dialect words, the sarcastic, ironic, often self-deprecating tone, the lyrics autobiographical, the happiness of melodic invention and in some songs a great rhythmic audacity. A very talented visionary who must become part of our cultural landscape.\"><span class=\"Y2IQFc\" lang=\"en\"><strong><em>Enigma Luck<\/em><\/strong> <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwid5p_pzriJAxWIhP0HHX2HIz8Q3ewLegQIDBAU\" aria-label=\"Testo tradotto: Enigma Luck Antonio Zacara da Teramo (ca. 1360\/1416?) is certainly among the most important Italian composers between the Middle Ages and the Renaissance. His music presents the widest possible variety of styles, registers and forms. He was also one of the most prolific, talented, and widely disseminated and copied composers of his time. And perhaps the one that had the greatest influence on the following generation, an authentic bridge between the Middle Ages and the Renaissance. Enigma Fortuna is an invitation to discover the great vitality and eccentricity of his music, in which enigmas and oracles are intertwined, obsessive variations on the theme of fortune, proverbs, popular mottos, dialect words, the sarcastic, ironic, often self-deprecating tone, the lyrics autobiographical, the happiness of melodic invention and in some songs a great rhythmic audacity. A very talented visionary who must become part of our cultural landscape.\"><span class=\"Y2IQFc\" lang=\"en\">Antonio Zacara da Teramo (ca. 1360\/1416?) is certainly among the most important Italian composers between the Middle Ages and the Renaissance. <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwid5p_pzriJAxWIhP0HHX2HIz8Q3ewLegQIDBAU\" aria-label=\"Testo tradotto: Enigma Luck Antonio Zacara da Teramo (ca. 1360\/1416?) is certainly among the most important Italian composers between the Middle Ages and the Renaissance. His music presents the widest possible variety of styles, registers and forms. He was also one of the most prolific, talented, and widely disseminated and copied composers of his time. And perhaps the one that had the greatest influence on the following generation, an authentic bridge between the Middle Ages and the Renaissance. Enigma Fortuna is an invitation to discover the great vitality and eccentricity of his music, in which enigmas and oracles are intertwined, obsessive variations on the theme of fortune, proverbs, popular mottos, dialect words, the sarcastic, ironic, often self-deprecating tone, the lyrics autobiographical, the happiness of melodic invention and in some songs a great rhythmic audacity. A very talented visionary who must become part of our cultural landscape.\"><span class=\"Y2IQFc\" lang=\"en\">His music presents the widest possible variety of styles, registers and forms. He was also one of the most prolific, talented, and widely disseminated and copied composers of his time. And perhaps the one that had the greatest influence on the following generation, an authentic bridge between the Middle Ages and the Renaissance. <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwid5p_pzriJAxWIhP0HHX2HIz8Q3ewLegQIDBAU\" aria-label=\"Testo tradotto: Enigma Luck Antonio Zacara da Teramo (ca. 1360\/1416?) is certainly among the most important Italian composers between the Middle Ages and the Renaissance. His music presents the widest possible variety of styles, registers and forms. He was also one of the most prolific, talented, and widely disseminated and copied composers of his time. And perhaps the one that had the greatest influence on the following generation, an authentic bridge between the Middle Ages and the Renaissance. Enigma Fortuna is an invitation to discover the great vitality and eccentricity of his music, in which enigmas and oracles are intertwined, obsessive variations on the theme of fortune, proverbs, popular mottos, dialect words, the sarcastic, ironic, often self-deprecating tone, the lyrics autobiographical, the happiness of melodic invention and in some songs a great rhythmic audacity. A very talented visionary who must become part of our cultural landscape.\"><span class=\"Y2IQFc\" lang=\"en\">Enigma Fortuna is an invitation to discover the great vitality and eccentricity of his music, in which enigmas and oracles are intertwined, obsessive variations on the theme of fortune, proverbs, popular mottos, dialect words, the sarcastic, ironic, often self-deprecating tone, the lyrics autobiographical, the happiness of melodic invention and in some songs a great rhythmic audacity. <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwid5p_pzriJAxWIhP0HHX2HIz8Q3ewLegQIDBAU\" aria-label=\"Testo tradotto: Enigma Luck Antonio Zacara da Teramo (ca. 1360\/1416?) is certainly among the most important Italian composers between the Middle Ages and the Renaissance. His music presents the widest possible variety of styles, registers and forms. He was also one of the most prolific, talented, and widely disseminated and copied composers of his time. And perhaps the one that had the greatest influence on the following generation, an authentic bridge between the Middle Ages and the Renaissance. Enigma Fortuna is an invitation to discover the great vitality and eccentricity of his music, in which enigmas and oracles are intertwined, obsessive variations on the theme of fortune, proverbs, popular mottos, dialect words, the sarcastic, ironic, often self-deprecating tone, the lyrics autobiographical, the happiness of melodic invention and in some songs a great rhythmic audacity. A very talented visionary who must become part of our cultural landscape.\"><span class=\"Y2IQFc\" lang=\"en\">A very talented visionary who must become part of our cultural landscape.<\/span><\/p>\n<p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: left;\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Tuesday 5 November 2024 SCIROCCO CONCERT GIULIA GENINI bassoon and direction BAROQUE GARDEN The Concerto Scirocco ensemble, founded in June 2009, dedicates its activity to Renaissance and early Baroque repertoire. The musicians of the group, young and talented artists trained at the Schola Cantorum Basiliensis, share an enthusiasm for ancient music and period instruments, and the desire to combine personal creativity with an awareness of historical performance practice. The name &quot;Scirocco&quot; is inspired by the southern wind and represents the fascinating sounds of the ancient wind instruments, the fulcrum of the group, accompanied by the organ. Concerto Scirocco always places one or more voices alongside the instrumental capella to underline the importance of vocal music on the development of the instrumental repertoire.\"><span class=\"Y2IQFc\" lang=\"en\"><b>__________________<\/b><\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: center;\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Tuesday 5 November 2024 SCIROCCO CONCERT GIULIA GENINI bassoon and direction BAROQUE GARDEN The Concerto Scirocco ensemble, founded in June 2009, dedicates its activity to Renaissance and early Baroque repertoire. The musicians of the group, young and talented artists trained at the Schola Cantorum Basiliensis, share an enthusiasm for ancient music and period instruments, and the desire to combine personal creativity with an awareness of historical performance practice. The name &quot;Scirocco&quot; is inspired by the southern wind and represents the fascinating sounds of the ancient wind instruments, the fulcrum of the group, accompanied by the organ. Concerto Scirocco always places one or more voices alongside the instrumental capella to underline the importance of vocal music on the development of the instrumental repertoire.\"><strong><span class=\"Y2IQFc\" lang=\"en\">Tuesday 5 November 2024 <\/span><\/strong><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: center;\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Tuesday 5 November 2024 SCIROCCO CONCERT GIULIA GENINI bassoon and direction BAROQUE GARDEN The Concerto Scirocco ensemble, founded in June 2009, dedicates its activity to Renaissance and early Baroque repertoire. The musicians of the group, young and talented artists trained at the Schola Cantorum Basiliensis, share an enthusiasm for ancient music and period instruments, and the desire to combine personal creativity with an awareness of historical performance practice. The name &quot;Scirocco&quot; is inspired by the southern wind and represents the fascinating sounds of the ancient wind instruments, the fulcrum of the group, accompanied by the organ. Concerto Scirocco always places one or more voices alongside the instrumental capella to underline the importance of vocal music on the development of the instrumental repertoire.\"><em><strong><span class=\"Y2IQFc\" lang=\"en\"> SCIROCCO CONCERT <\/span><\/strong><\/em><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: center;\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Tuesday 5 November 2024 SCIROCCO CONCERT GIULIA GENINI bassoon and direction BAROQUE GARDEN The Concerto Scirocco ensemble, founded in June 2009, dedicates its activity to Renaissance and early Baroque repertoire. The musicians of the group, young and talented artists trained at the Schola Cantorum Basiliensis, share an enthusiasm for ancient music and period instruments, and the desire to combine personal creativity with an awareness of historical performance practice. The name &quot;Scirocco&quot; is inspired by the southern wind and represents the fascinating sounds of the ancient wind instruments, the fulcrum of the group, accompanied by the organ. Concerto Scirocco always places one or more voices alongside the instrumental capella to underline the importance of vocal music on the development of the instrumental repertoire.\"><span class=\"Y2IQFc\" lang=\"en\">GIULIA GENINI <em>bassoon and direction <\/em><\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: center;\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Tuesday 5 November 2024 SCIROCCO CONCERT GIULIA GENINI bassoon and direction BAROQUE GARDEN The Concerto Scirocco ensemble, founded in June 2009, dedicates its activity to Renaissance and early Baroque repertoire. The musicians of the group, young and talented artists trained at the Schola Cantorum Basiliensis, share an enthusiasm for ancient music and period instruments, and the desire to combine personal creativity with an awareness of historical performance practice. The name &quot;Scirocco&quot; is inspired by the southern wind and represents the fascinating sounds of the ancient wind instruments, the fulcrum of the group, accompanied by the organ. Concerto Scirocco always places one or more voices alongside the instrumental capella to underline the importance of vocal music on the development of the instrumental repertoire.\"><strong><span class=\"Y2IQFc\" lang=\"en\">BAROQUE GARDEN <\/span><\/strong><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Tuesday 5 November 2024 SCIROCCO CONCERT GIULIA GENINI bassoon and direction BAROQUE GARDEN The Concerto Scirocco ensemble, founded in June 2009, dedicates its activity to Renaissance and early Baroque repertoire. The musicians of the group, young and talented artists trained at the Schola Cantorum Basiliensis, share an enthusiasm for ancient music and period instruments, and the desire to combine personal creativity with an awareness of historical performance practice. The name &quot;Scirocco&quot; is inspired by the southern wind and represents the fascinating sounds of the ancient wind instruments, the fulcrum of the group, accompanied by the organ. Concerto Scirocco always places one or more voices alongside the instrumental capella to underline the importance of vocal music on the development of the instrumental repertoire.\"><span class=\"Y2IQFc\" lang=\"en\">The<strong><em> Concerto Scirocco<\/em><\/strong> ensemble, founded in June 2009, dedicates its activity to Renaissance and early Baroque repertoire. <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Tuesday 5 November 2024 SCIROCCO CONCERT GIULIA GENINI bassoon and direction BAROQUE GARDEN The Concerto Scirocco ensemble, founded in June 2009, dedicates its activity to Renaissance and early Baroque repertoire. The musicians of the group, young and talented artists trained at the Schola Cantorum Basiliensis, share an enthusiasm for ancient music and period instruments, and the desire to combine personal creativity with an awareness of historical performance practice. The name &quot;Scirocco&quot; is inspired by the southern wind and represents the fascinating sounds of the ancient wind instruments, the fulcrum of the group, accompanied by the organ. Concerto Scirocco always places one or more voices alongside the instrumental capella to underline the importance of vocal music on the development of the instrumental repertoire.\"><span class=\"Y2IQFc\" lang=\"en\">The musicians of the group, young and talented artists trained at the Schola Cantorum Basiliensis, share an enthusiasm for ancient music and period instruments, and the desire to combine personal creativity with an awareness of historical performance practice. The name &#8220;Scirocco&#8221; is inspired by the southern wind and represents the fascinating sounds of the ancient wind instruments, the fulcrum of the group, accompanied by the organ. <em><strong>Concerto Scirocc<\/strong><\/em>o always places one or more voices alongside the instrumental capella to underline the importance of vocal music on the development of the instrumental repertoire.<\/span><\/p>\n<p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Concerto Scirocco has to its credit collaborations with ancient music festivals in Switzerland and abroad: Festival Ceresio Estate, Festival Cantar di Pietre, Davos Festival Young Artists in Concert, Musiksommer am Z\u00fcrichsee, Festival Altstadt Serenaden Basel, Midi Musique am Theater Basel, Les Concerts de l'ADMA, Konzertreihe der Musikintrumentensammlung Willisau, Festival di Musica Antica a Magnano, Fabulous Fringe Festival Utrecht, Festival Alte Musik Live Berlin, Festival Freunde Alter Musik Basel, La tribune des Jeunes Musiciens Gen\u00e8ve, Les Concerts de Romainm\u00f4tier.\"><span class=\"Y2IQFc\" lang=\"en\"><em><strong>Concerto Scirocco<\/strong><\/em> has to its credit collaborations with ancient music festivals in Switzerland and abroad: Festival Ceresio Estate, Festival Cantar di Pietre, Davos Festival Young Artists in Concert, Musiksommer am Z\u00fcrichsee, Festival Altstadt Serenaden Basel, Midi Musique am Theater Basel, Les Concerts de l&#8217;ADMA, Konzertreihe der Musikintrumentensammlung Willisau, Festival di Musica Antica a Magnano, Fabulous Fringe Festival Utrecht, Festival Alte Musik Live Berlin, Festival Freunde Alter Musik Basel, La tribune des Jeunes Musiciens Gen\u00e8ve, Les Concerts de Romainm\u00f4tier.<\/span><\/p>\n<p dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Concerto Scirocco has to its credit collaborations with ancient music festivals in Switzerland and abroad: Festival Ceresio Estate, Festival Cantar di Pietre, Davos Festival Young Artists in Concert, Musiksommer am Z\u00fcrichsee, Festival Altstadt Serenaden Basel, Midi Musique am Theater Basel, Les Concerts de l'ADMA, Konzertreihe der Musikintrumentensammlung Willisau, Festival di Musica Antica a Magnano, Fabulous Fringe Festival Utrecht, Festival Alte Musik Live Berlin, Festival Freunde Alter Musik Basel, La tribune des Jeunes Musiciens Gen\u00e8ve, Les Concerts de Romainm\u00f4tier.\"><span class=\"Y2IQFc\" lang=\"en\"><b>__________________<\/b><\/span><\/p>\n<p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: center;\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Saturday 16 November 2024 Andr\u00e9 Lislevand: Viola da Gamba Jadran Duncumb: Baroque Lute, Theorbo Emil Duncumb: Fortepiano GALLANTRY, A NEW ERA\"><strong><span class=\"Y2IQFc\" lang=\"en\">Saturday 16 November 2024 <\/span><\/strong><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: center;\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Saturday 16 November 2024 Andr\u00e9 Lislevand: Viola da Gamba Jadran Duncumb: Baroque Lute, Theorbo Emil Duncumb: Fortepiano GALLANTRY, A NEW ERA\"><span class=\"Y2IQFc\" lang=\"en\">Andr\u00e9 Lislevand: Viola da Gamba <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: center;\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Saturday 16 November 2024 Andr\u00e9 Lislevand: Viola da Gamba Jadran Duncumb: Baroque Lute, Theorbo Emil Duncumb: Fortepiano GALLANTRY, A NEW ERA\"><span class=\"Y2IQFc\" lang=\"en\">Jadran Duncumb: Baroque Lute, Theorbo <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: center;\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Saturday 16 November 2024 Andr\u00e9 Lislevand: Viola da Gamba Jadran Duncumb: Baroque Lute, Theorbo Emil Duncumb: Fortepiano GALLANTRY, A NEW ERA\"><span class=\"Y2IQFc\" lang=\"en\">Emil Duncumb: Fortepiano <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" style=\"text-align: center;\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Saturday 16 November 2024 Andr\u00e9 Lislevand: Viola da Gamba Jadran Duncumb: Baroque Lute, Theorbo Emil Duncumb: Fortepiano GALLANTRY, A NEW ERA\"><strong><span class=\"Y2IQFc\" lang=\"en\">GALLANTRY, A NEW ERA<\/span><\/strong><\/p>\n<p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Awarded with a Diapason D\u00e9couverte, Andr\u00e9 Lislevand's debut album, Forqueray Unchained (Arcana A486, 2021), celebrated one of the heydays of the viola da gamba, France during the Ancien R\u00e9gime. A repertoire in which the young musician demonstrated that he was 'absolutely on top of his game and not afraid to explore the extremes of his instrument's aesthetic world, though without ever losing touch with le bon go\u00fbt (Early Music Review)'. The same freshness and youthful energy are found in this second album with which he explores the German repertoire of the central decades of the eighteenth century, a season that marks the progressive decline of the instrument, still capable of expressing unexpected treasures through a language that often seems to anticipate the years to come. On the programme, the sonatas with continuous bass WQ 136 by C.P.E. Bach and Abel in A minor B93; Telemann's Fantasia Accomplices of the young violist and extraordinary chamber musicians, the Duncumb brothers are a fundamental part of this project, the forte player Emil and the lutenist Jadran, already present on the debut album.\"><span class=\"Y2IQFc\" lang=\"en\">Awarded with a <em>Diapason D\u00e9couverte<\/em>, Andr\u00e9 Lislevand&#8217;s debut album, Forqueray Unchained (Arcana A486, 2021), celebrated one of the heydays of the viola da gamba, France during the Ancien R\u00e9gime.\u00a0<\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Awarded with a Diapason D\u00e9couverte, Andr\u00e9 Lislevand's debut album, Forqueray Unchained (Arcana A486, 2021), celebrated one of the heydays of the viola da gamba, France during the Ancien R\u00e9gime. A repertoire in which the young musician demonstrated that he was 'absolutely on top of his game and not afraid to explore the extremes of his instrument's aesthetic world, though without ever losing touch with le bon go\u00fbt (Early Music Review)'. The same freshness and youthful energy are found in this second album with which he explores the German repertoire of the central decades of the eighteenth century, a season that marks the progressive decline of the instrument, still capable of expressing unexpected treasures through a language that often seems to anticipate the years to come. On the programme, the sonatas with continuous bass WQ 136 by C.P.E. Bach and Abel in A minor B93; Telemann's Fantasia Accomplices of the young violist and extraordinary chamber musicians, the Duncumb brothers are a fundamental part of this project, the forte player Emil and the lutenist Jadran, already present on the debut album.\"><span class=\"Y2IQFc\" lang=\"en\">A repertoire in which the young musician demonstrated that he was &#8216;absolutely on top of his game and not afraid to explore the extremes of his instrument&#8217;s aesthetic world, though without ever losing touch with le bon go\u00fbt (Early Music Review)&#8217;. The same freshness and youthful energy are found in this second album with which he explores the German repertoire of the central decades of the eighteenth century, a season that marks the progressive decline of the instrument, still capable of expressing unexpected treasures through a language that often seems to anticipate the years to come. <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Awarded with a Diapason D\u00e9couverte, Andr\u00e9 Lislevand's debut album, Forqueray Unchained (Arcana A486, 2021), celebrated one of the heydays of the viola da gamba, France during the Ancien R\u00e9gime. A repertoire in which the young musician demonstrated that he was 'absolutely on top of his game and not afraid to explore the extremes of his instrument's aesthetic world, though without ever losing touch with le bon go\u00fbt (Early Music Review)'. The same freshness and youthful energy are found in this second album with which he explores the German repertoire of the central decades of the eighteenth century, a season that marks the progressive decline of the instrument, still capable of expressing unexpected treasures through a language that often seems to anticipate the years to come. On the programme, the sonatas with continuous bass WQ 136 by C.P.E. Bach and Abel in A minor B93; Telemann's Fantasia Accomplices of the young violist and extraordinary chamber musicians, the Duncumb brothers are a fundamental part of this project, the forte player Emil and the lutenist Jadran, already present on the debut album.\"><span class=\"Y2IQFc\" lang=\"en\">On the programme, the sonatas with continuous bass WQ 136 by C.P.E. Bach and Abel in A minor B93; Telemann&#8217;s Fantasia Accomplices of the young violist and extraordinary chamber musicians, the Duncumb brothers are a fundamental part of this project, the forte player Emil and the lutenist Jadran, already present on the debut album.<\/span><\/p>\n<p dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: Awarded with a Diapason D\u00e9couverte, Andr\u00e9 Lislevand's debut album, Forqueray Unchained (Arcana A486, 2021), celebrated one of the heydays of the viola da gamba, France during the Ancien R\u00e9gime. A repertoire in which the young musician demonstrated that he was 'absolutely on top of his game and not afraid to explore the extremes of his instrument's aesthetic world, though without ever losing touch with le bon go\u00fbt (Early Music Review)'. The same freshness and youthful energy are found in this second album with which he explores the German repertoire of the central decades of the eighteenth century, a season that marks the progressive decline of the instrument, still capable of expressing unexpected treasures through a language that often seems to anticipate the years to come. On the programme, the sonatas with continuous bass WQ 136 by C.P.E. Bach and Abel in A minor B93; Telemann's Fantasia Accomplices of the young violist and extraordinary chamber musicians, the Duncumb brothers are a fundamental part of this project, the forte player Emil and the lutenist Jadran, already present on the debut album.\"><span class=\"Y2IQFc\" lang=\"en\"><b>__________________<\/b><\/span><\/p>\n<p id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: On the occasion of the concerts at the Auditorium of the Paolo and Carolina Zani Foundation, spectators are offered the opportunity to participate in an exclusive guided tour of the Zani House Museum and the &quot;Savoldo Borghese&quot; exhibition. The guided tour, with a reduced ticket of \u20ac10, will begin at 6pm and will only be accessible by booking within 2 days of the date of the concert at the ticket office of the Paolo and Carolina Zani Foundation (tel. 030 2520479 \u2013 info@fondazionezani.com).\"><span class=\"Y2IQFc\" lang=\"en\">On the occasion of the concerts at the Auditorium of the Paolo and Carolina Zani Foundation, spectators are offered the opportunity to participate in an <strong>exclusive guided tour<\/strong> of the Zani House Museum and the <em>&#8220;Savoldo Borghese<\/em>&#8221; exhibition. <\/span><\/p>\n<p class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-ved=\"2ahUKEwiW56_46LuJAxV87gIHHbhFHWMQ3ewLegQICRAU\" aria-label=\"Testo tradotto: On the occasion of the concerts at the Auditorium of the Paolo and Carolina Zani Foundation, spectators are offered the opportunity to participate in an exclusive guided tour of the Zani House Museum and the &quot;Savoldo Borghese&quot; exhibition. The guided tour, with a reduced ticket of \u20ac10, will begin at 6pm and will only be accessible by booking within 2 days of the date of the concert at the ticket office of the Paolo and Carolina Zani Foundation (tel. 030 2520479 \u2013 info@fondazionezani.com).\"><span class=\"Y2IQFc\" lang=\"en\">The guided tour, with a<strong> reduced ticket of \u20ac10<\/strong>, will begin at 6pm and will only be accessible by booking within 2 days of the date of the concert at the ticket office of the Paolo and Carolina Zani Foundation (tel. 030 2520479 \u2013 info@fondazionezani.com).<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>01 \u2013 05 \u2013 16 November 2024 | Auditorium Casa Museo Zani<\/p>\n","protected":false},"author":15,"featured_media":5749,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"h5ap_radio_sources":[],"footnotes":""},"categories":[17],"tags":[],"class_list":["post-5752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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