The Museum’s collection includes over 1200 pieces, among which paintings, sculptures, works of applied art, and furniture. Some of the most noteworthy items are by Canaletto, Tiepolo, Guardi, Longhi, Boucher, which are placed alongside choice pieces of baroque and rococo furniture, mainly French and Venetian, and extraordinary works of 17th and 18th century applied art. Absolute masterpieces are: the pair of 1789 Commodes by Giuseppe Maggiolini with inlays by Andrea Appiani, and the Octagonal Table in semiprecious stones produced between the end of the 17th and the beginning of the 18th century at the Galleria dei Lavori in Florence.
Bernardo Bellotto (Venice 1722 – Warsaw 1780)
Venice - 1738-1739
Michele Marieschi (Venice 1710 - 1743)
Venice - 1738-1740
Anonymous painter active in Italy (?) 1625-1630
Italy - 1625-1630
Giambattista Tiepolo (Venice 1696 – Madrid 1770)
Venice - 1743-1745
Giovanni Antonio Canal a.k.a. Canaletto (Venice 1697 – 1768)
Venice - 1732-1738
Giovanni Antonio Canal a.k.a. Canaletto (Venice 1697 – 1768)
Venice - 1733-1734
Doccia manufacture on a model by Massimiliano Soldani Benzi (Montevarchi, Arezzo 1656 – Galatrona 1740)
Doccia - second half of 18th century
Circle of Giovanni Battista Della Porta (Vico Equense, Naples 1535 – Naples 1615) and Guglielmo Della Porta (Porlezza, Como 1515 circa – Rome 1577)
Rome - late 17th century
Chinese manufacture, first half of 18th century (porcelain); French manufacture, first half of 18th century (bronze)
China - France - China - France - 1662-1722 (porcelain), 1745-1749 (bronze base/mount)
Late 17th century North European sculptor
Northern Europe - late 17th century
Circle of Giacomo Colombo (Este, Padua, 1663 - Naples 1731)
Naples - 1695-1705
Top: Opificio delle Pietre Dure, Florence. Base: George Bullock (Birmingham 1777 - Liverpool, 1818)
Florence - 1715-1720 (top) 1810-1815 (base)
Bernard II van Risemburgh (active in Paris 1730-1767) or Bernard III van Risemburgh (Paris 1799)
France - 1766-1770
attributed to André Charles Boulle (Paris 1642 - 1732) and Etienne Levasseur (1721-1798)
France - 1705-1715
Giuseppe Maggiolini (Parabiago, Milan 1738-1814) on a design by Raffaele Albertolli (Bedano, Switzerland 1770 – Milan 1812) and Giocondo Albertolli (Bedano, Switzerland 1742 – Milan 1839), with inlays designed by Andrea Appiani (Milan 1754 - 1817)
Lombardy - 1789
Georges Jacob (Cheny, Burgundy 1739 – Paris 1814)
France - 1780 circa
1840s Genoese manufacture, probably on a drawing by Lorenzo De Ferrari (Genoa, 1680 circa – 1744)
Genoa - 1740-1744 circa
mid 18th century Northern Italian manufacture
Northern Italy - 1750 circa
Real Fabbrica Ferdinandea (active in Naples from 1771 to 1835)
Naples - 1795 circa
François-Désiré Froment-Meurice (Paris1802 - 1855) (concept); Victor Geoffroy-Dechaume (Paris 1816 - Valmondois 1892) and Antoine Vechte (Vic-sous-Thil 1799 - Avallon 1868) (figures)
Paris - 1844 circa
Russian Imperial Glass Factory, design by Ivan Ivanov (director from 1815 to 1848)
Russia - 1820 circa
Vatican Mosaic Studio, on a model attributed to Pompeo Girolamo Batoni (Lucca 1708 – Rome 1787)
Rome - mid 18th century